Climate Workers Anonymous
Climate Workers Anonymous
#9: it feels like there’s nobody to celebrate with if the whole industry is hurting
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#9: it feels like there’s nobody to celebrate with if the whole industry is hurting

Tales of the corporeal man at the feast for ghosts.
Théodore Chassériau (1819–1856), Banquo's Ghost 1855.

Things are going poorly for you? That’s too bad, because I’m having a grand ol’ time.

Are you subscribed to Climate Workers Anonymous? Do so now to listen in and read whenever a new edition is released and support this fledgling collective art project.

Welcome to Climate Workers Anonymous, where those who work in climate are able to share the feelings and experiences they want to share but aren’t sure they want attached to their name.

They might want that anonymity because they’ve got some biting satirical take their corporate employer would frown upon. Maybe it’s someone trying to scale their company’s impact but is dubious that all of the levels of governance in carbon dioxide removal do as much good as is claimed. Or maybe they want anonymity because their company is doing well when many of their peers are not. That can be its own form of loneliness.

As I was recording this and trying to describe this feeling, I got stuck onto “the ghost at the feast” that people associate so strongly with Shakespeare’s Macbeth.

MACBETH
I do forget.
Do not muse at me, my most worthy friends,
I have a strange infirmity, which is nothing
To those that know me. Come, love and health to all;
Then I'll sit down. Give me some wine; fill full.
I drink to the general joy o' the whole table,
And to our dear friend Banquo, whom we miss;
Would he were here! to all, and him, we thirst,
And all to all.

LORDS
Our duties, and the pledge.

[Re-enter GHOST OF BANQUO]

MACBETH
Avaunt! and quit my sight! let the earth hide thee!
Thy bones are marrowless, thy blood is cold;
Thou hast no speculation in those eyes
Which thou dost glare with!

LADY MACBETH
Think of this, good peers,
But as a thing of custom: 'tis no other;
Only it spoils the pleasure of the time.

MACBETH
What man dare, I dare:
Approach thou like the rugged Russian bear,	100
The arm'd rhinoceros, or the Hyrcan tiger;
Take any shape but that, and my firm nerves
Shall never tremble: or be alive again,
And dare me to the desert with thy sword;
If trembling I inhabit then, protest me
The baby of a girl. Hence, horrible shadow!
Unreal mockery, hence!

[GHOST OF BANQUO vanishes]

Why, so: being gone,
I am a man again. Pray you, sit still.

LADY MACBETH
You have displaced the mirth, broke the good meeting,
With most admired disorder.

But that’s not quite right. In the play, Banquo’s ghost shows up, Macbeth is the only character who can see him, and it causes Macbeth to act very erratically, ruining the feast for the guests and especially Lady Macbeth.

For this submission, it’s more like the submitter is a vigorous person who somehow wandered into a “meal” for ghosts. The submitter’s contentment, health, and ability to sate their hunger can’t help but cause the ghosts envy and grief by merely existing in their presence.

This type of inequality—even if earned entirely through meritocratic means (though it’s for me to know where such a thing could exist in the world such as it is)—can make us uncomfortable. As I read the submission, the submitter is proud of their strategy and ability to execute and good read of macro conditions and wants to promenade their success without necessarily wishing any else will or a lack of success.

I do wonder in a case like this, if it would be less satisfying to the submitter if everyone received the same success. Would it diminish their value or their foresight? How much of our desire to work is driven by a need to distinguish ourselves as individuals, and to feel our status grow in the eyes of ourselves and others?

Who can say what is in the submitter’s heart, when even our own can be so mysterious? But if we take them at face value, it’s also an encouragement to fight yourself back to health. Don’t give up. It’s not too late. Get back in the game and catch up to your peer so you can celebrate alongside.

Submissions

N.B. The submissions in Climate Workers Anonymous are anonymous and unverified.

  1. We’re actually fine. Times are tough, no doubt, but we keep growing from a large base, and have some really exciting milestones ahead of us. In some ways, I wish I saw more fighting spirit from our industry. Some large incumbents aren’t getting the funding to take them to the scale they expected, but somehow they’ve decided to just do nothing instead. Complete silence, at least in public, which also makes the bad buyer & investor sentiment a self-fulfilling prophecy to some extent. Surely it’d be better to at least keep building & learning publicly at a smaller scale like we used to? Meanwhile, we feel vindicated in the strategic choices we made that allow us to keep scaling, but it feels like there’s nobody to celebrate with if the whole industry is hurting.

I enjoy these short and sweet episodes. I’d welcome your thoughts. Please like and share this post out if you enjoyed it, and and subscribe if you aren’t already. Below is the info to submit your tales, feelings, thoughts to Climate Workers Anonymous for publication on the podcast and in written form as in this edition.

Thanks so much for your support.

Sincerely,

Ross Kenyon
Curator of Climate Workers Anonymous

Thank you for listening to and reading Climate Workers Anonymous. Subscribe to Substack below, and be sure to subscribe in whichever podcast app you use. An amazing rating and review on those podcast apps does a world of good. Would you please do that for me now? Here’s Apple Podcasts, Spotify, and YouTube.

If you’d like submit your anonymous hopes, fears, or experiences to Climate Workers Anonymous, you can use this Tally survey or email climateworkersanonymous[at]protonmail.com, though I believe the Tally survey is more secure. Do not communicate anything you wouldn’t want a hacker to have access to, including an email address that could be linked to you if you email the account on Protonmail.

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Banquo and Macbeth with the three witches. I always love these old woodcuts.

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